Anne Carson's oeuvre bridges the gulf between Homer and Gertrude Stein while ignoring, subverting, and toying with everyday ...

Michael Sarnoski’s dying outlaw in The Death of Robin Hood tests, after a remorseful confession, who controls the past.

The whopping tenth album from post-metal standard-bearers Cult of Luna is diminished by the genre's weaknesses but triumphs ...

The Encore, Taylor Swift does little to change the original album's reception, but offers harmless fun nonetheless.

Carlos Saldanha’s 100 Days turns an extraordinary Atlantic crossing into a portrait of a man who seems less troubled by ...

Doveland invokes a place of pastoral calm, perhaps a lost corner of the American plains where folk songs might drift across the landscape. Django Django’s sixth album does eventually find its way ...

Political punks, the Iron Roses' latest collection, Molotov Nights, is their strongest yet, a state of the union that enrages ...

Little on Dream House matches the sheer brio of Empress Of's earlier music, and it lacks backbone and attention span.

Great Falls absorb their influences, turning the familiar sounds of post-hardcore, noise rock, sludge, and post-metal into ...

Billy Strings is not your typical bluegrass picker. He incorporates rock, metal, blues, and psychedelia to amazingly enter arena rock territory.

Neil Young brings his characteristic looseness to Second Song, and while that ease can be appealing, it seldom leads to anything that sticks.