The New Yorker, now celebrating its centenary, has defied media trends by giving an unusual amount of control to the artists ...
In its pages, Borges, Camus, Hemingway, and Tom Wolfe have written. Its covers and cartoons are works of art. It dedicates months to the riskiest investigations. And it even has its own spelling rules ...
The magazine has gained a cult following, partly by branding itself as a beacon of intellectualism. Here’s how it has changed, and stayed the same, over 100 years.
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