At its most recent meeting, the DGA National Board voted to name Director Jon Avnet as Chair and Director Karen Gaviola as ...

Levin talks about the significant transformation of New York City over many years, including the development of locations like the former site of Charlie Chaplin's studios, and encourages awareness by ...

Riggen describes the severe conditions of the shoot and how they brought the crew closer to understanding the dangerous circumstances of the Chilean miners.

Agent Sean Barclay believes that having a reel for a director is a valuable resource to use when attempting to launch a director"s career.

Highlight: Director Jennifer Phang gives an example for how she and her team found the tone for songs when directing her first musical.

Highlight: Director Zoe Lister-Jones describes how she worked with various departments to capture the tone of her show while still maintaining her vision, when the setting jumped between universes.

Director David Fincher discusses his penchant for numerous takes on Mank (and other works) and why he likes to inundate actors with notes during the process.

Director Anthony Hemingway discusses the "circle" principle he uses to balance his own style with the particular needs of an episode of a show.

Director Seith Mann describes a scene in which Omar (played by Michael K. Williams) swaggers down a Baltimore street.

Linklater describes how he shot a period film but in real time and incorporated real events into the lives of his characters.

Director Todd Holland speaks about what he’s learned from assistant editors and how he applies that knowledge of the process to future projects.