Director François Ozon’s new film adaptation of Albert Camus’s novel L’Étranger (The Outsider, 1942) confronts a considerable ...

François Ozon’s adaptation of the 1942 novella L’Etranger passionately honours the original text while bringing a contemporary perspective to its themes of empire and race ...

Director François Ozon, better known for lighter soufflés, takes on a demanding piece of literature and serves it well, with ...

It also rhymes with the sun that warms Meursault and Marie as they take a blissful swim — and which glints in Meursault’s ...

Based on the 1942 novella by Albert Camus, "The Stranger" proves cracklingly, urgently alive in a way most other literary ...

For more than 80 years, The Stranger has been widely accepted as unadaptable. One master filmmaker tried and failed in the ...

Nine years ago, when I asked director extraordinaire François Ozon about being honored regularly by critics’ groups worldwide, he replied, “Awards are like hemorrhoids. Sooner or later every asshole ...

Add Yahoo as a preferred source to see more of our stories on Google. In François Ozon’s adaptation of Albert Camus’ The Stranger, colonialism, hypocrisy, and ennui boil under the Algerian sun, ...

Consisting of “two dreamlike, black-and-white hours of murder, sex and existential brooding”, “The Stranger” is “the ...

Fans of the cold monochrome ­elegance of Netflix’s Ripley should seek out this retelling of Albert Camus’s The Outsider (or The Stranger, to give it its ham-fisted US translation). Gallic maestro ...

Should society condemn to death a man who fails to cry at his mother’s funeral? That question underpins Albert Camus’ 1942 ...

Add Yahoo as a preferred source to see more of our stories on Google. It’s the same sun beating down on us all, Albert Camus memorably conveyed in his oft-debated 1942 novel “The Stranger,” it’s just ...