Consisting of “two dreamlike, black-and-white hours of murder, sex and existential brooding”, “The Stranger” is “the ...

Director François Ozon’s new film adaptation of Albert Camus’s novel L’Étranger (The Outsider, 1942) confronts a considerable ...

Director François Ozon, better known for lighter soufflés, takes on a demanding piece of literature and serves it well, with ...

It also rhymes with the sun that warms Meursault and Marie as they take a blissful swim — and which glints in Meursault’s ...

François Ozon’s adaptation of the 1942 novella L’Etranger passionately honours the original text while bringing a contemporary perspective to its themes of empire and race ...

Nonetheless, it has remained The Stranger on most anglophone bookshelves (not to mention in The Cure’s Killing an Arab) and ...

François Ozon has brought Albert Camus’s classic existentialist novel The Stranger to the screen in brooding, Bressonian black-and-white. He tells us about drawing out the sensual elements of the ...

Should society condemn to death a man who fails to cry at his mother’s funeral? That question underpins Albert Camus’ 1942 ...

François Ozon has typically filtered version of Albert Camus's existential novella The Stranger through his cool, ironic ...

Benjamin Voisin plays an emotionally detached killer in this lush black-and-white take on L'Étranger that falters in its ...

François Ozon chooses the extraordinary power of black and white for his new film adaptation of Camus's classic. It explores ...