Director François Ozon’s new film adaptation of Albert Camus’s novel L’Étranger (The Outsider, 1942) confronts a considerable ...

François Ozon’s lovely adaptation of the French masterpiece is both resolutely faithful and refreshingly new.

François Ozon has brought Albert Camus’s classic existentialist novel The Stranger to the screen in brooding, Bressonian black-and-white. He tells us about drawing out the sensual elements of the ...

Director François Ozon, better known for lighter soufflés, takes on a demanding piece of literature and serves it well, with ...

It also rhymes with the sun that warms Meursault and Marie as they take a blissful swim — and which glints in Meursault’s ...

Albert Camus’ 1942 novel “The Stranger” spins around a psychological mystery. Why would Meursault, a Frenchman living in colonial Algeria, suddenly kill a man ...

Consisting of “two dreamlike, black-and-white hours of murder, sex and existential brooding”, “The Stranger” is “the ...

Add Yahoo as a preferred source to see more of our stories on Google. In François Ozon’s adaptation of Albert Camus’ The Stranger, colonialism, hypocrisy, and ennui boil under the Algerian sun, ...

Nonetheless, it has remained The Stranger on most anglophone bookshelves (not to mention in The Cure’s Killing an Arab) and ...

Fans of the cold monochrome ­elegance of Netflix’s Ripley should seek out this retelling of Albert Camus’s The Outsider (or ...

François Ozon's latest is a gorgeous-looking adaptation of Albert Camus’ The Stranger. The French director explains why he ...

The Stranger feels like a perfect adaptation, ready to be unpacked by both fans of the book and modern audiences. Its seams ...