Actor Benjamin Voisin stars as Camus’ naive anti-hero Mersault, a man who is ill at ease with his desire, in this beautifully shot black and white rendition of this classic of existentialism.

The annual awards celebrate creative audacity among emerging UK filmmakers.

The final shot of Joseph L. Mankiewicz’s glorious, barbed 1950 masterpiece sneakily suggests that the real villain is not Eve Harrington herself but female ambition in general.

Learn more about Screencraft's visit to film-related network partners in Paris and Brussels and an upcoming video exploring Derek Jarman-related material preserved by the Archive.

One hundred years after she was born, we remember one of our favourite Angela Lansbury performances: as the malevolent mother working for the other side in John Frankenheimer’s chilling Cold War ...

From Eyes Without a Face to Raw, French horror trips the line between realism and the uncanny, and pushes into a realm of profound discomfort.

From Akinola Davies Jr’s feature debut My Father’s Shadow to Mark Jenkin’s Rose of Nevada, this year’s festival programme features the work of many alumni of our early-career support and funding ...

A young girl’s life is upended by tragedy in Belgian drama Têtes brûlées. Director Maja-Ajmia Yde Zellama told us about avoiding the clichés of violent masculinity and the limits of storytelling as a ...

The Film Society, a monthly miscellany staged at West End venues in London between 1925 and 1939, played a critical role in helping to define film as the seventh art. Here are seven ways it did so, ...

In the first of this year’s LFF Screen Talks, Lanthimos sat down with Succession creator Jesse Armstrong to reveal the secret ingredients and approach to actors that underpin his uniquely weird brand ...

This vintage filing system with its colour-coded film records holds an invaluable place on the shelves of the BFI National Archive. Have you checked the Kalamazoo?

The annual Super 8mm film competition challenges creatives to shoot and edit entirely in-camera, without post-production.