After a rather staggering October when it comes to new releases, November continues the trend, delivering my favorite film of ...

A time capsule of Hollywood grandeur at its most epic scale, as well as an archaic, sanitized depiction of one of America's greatest horrors, Gone with the Wind is both an essential cinematic ...

The closer one looks at the actual, tangible world of international cinema, the more one realizes they have no coherent idea of what is going on. It's quite humbling to be at the Tokyo International ...

A pair of avant-garde pioneers are finally getting a much-deserved documentary portrait. Nathaniel Dorsky and Jerome Hiler, whose shared artistic and devotional practice has endured for more than ...

As 2026 winds down, like most cinephiles, we’re looking to get our eyes on titles that may have slipped through the cracks or ...

As we get closer to the end of 2026 and various critics and voting bodies collate their year-end lists and ballots, the ...

No single home-video release this year, by any remotely comparable margin, generated greater waves than Criterion's The ...

NYC Weekend Watch is our weekly round-up of repertory offerings. BAMA series on female possession begins while Ken Russell’s reconstructed The Devils continues—read (or listen to) our interview with ...

I would love to tell you that contact with a typhoon is a more exotic, worldly, altogether enriching experience than the more ...

In April 2024, Sofia Coppola lost her mother, Eleanor. The “cool” (as Sofia describes her), anchoral matriarch of the Coppola ...

An ancient demon takes the form of a glamorous supermodel in Inherit, a Thai horror film that screened in the Open Cinema ...