The painting is now on display in the entryway of the Boardman Performing Arts Center, where it can be seen by students, ...
“Guernica,” an 11- by 25-foot painting, is a political, anti-war statement in response to the bombing of Guernica in the Basque region of Spain. Through the symbolic depiction of death and violence, ...
Welcome to Wet Paint in the Wild, the freewheeling—and free!—spinoff of Artnet News Pro’s beloved Wet Paint gossip column, where we give art-world insiders a disposable camera to chronicle their lives ...
You could tell Göksu Kunak’s performance was beginning because blue light started flickering against the faces of a shadowy mass of guests pulling out their phones. Soon after, the Turkish performance ...
RoseLee Goldberg of New York’s Performa has long encouraged visual artists to take the leap of translating their ideas into ...
Thomas Cole’s “The Course of Empire” is a series of five paintings from the 1830s that depicts the rise, peak and eventual destruction of civilization. There is an anxiety underneath the art — a fear ...
Kissajukian’s humor does not trivialize the weight of his illness, but instead familiarizes, endears, and humanizes someone living with bipolar disorder.
In 1918, New York City laid claim to 20 Yiddish theaters, with one seating 2,500. Chicago possessed four, Philadelphia three and Baltimore, Boston, Cleveland, Detroit, Los Angeles, Newark and St.
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