The painting is now on display in the entryway of the Boardman Performing Arts Center, where it can be seen by students, ...

Welcome to Wet Paint in the Wild, the freewheeling—and free!—spinoff of Artnet News Pro’s beloved Wet Paint gossip column, where we give art-world insiders a disposable camera to chronicle their lives ...

Kissajukian’s humor does not trivialize the weight of his illness, but instead familiarizes, endears, and humanizes someone living with bipolar disorder.

“Guernica,” an 11- by 25-foot painting, is a political, anti-war statement in response to the bombing of Guernica in the Basque region of Spain. Through the symbolic depiction of death and violence, ...

The pale, porcelain skin of Ayako Rokkaku’s petite hands brightens the navy blue ceramic tea cup held in her palms. For nearly two decades, the artist has used her hands instead of brushes, dipping ...

RoseLee Goldberg of New York’s Performa has long encouraged visual artists to take the leap of translating their ideas into ...

Thomas Cole’s “The Course of Empire” is a series of five paintings from the 1830s that depicts the rise, peak and eventual destruction of civilization. There is an anxiety underneath the art — a fear ...

Shadows and stories collide at the Beckley Art Center, where an ongoing Halloween exhibit reveals the haunting roots behind Appalachia’s folklore and mystery. The Beckley Art Center’s ongoing ...

In 1918, New York City laid claim to 20 Yiddish theaters, with one seating 2,500. Chicago possessed four, Philadelphia three and Baltimore, Boston, Cleveland, Detroit, Los Angeles, Newark and St.

The Wallis Annenberg Center for the Performing Arts will launch its first Family Fest of the season with a Día de los Muertos ...